This post turned out longer than I expected. The first part is about comedy, whisky tasting, and a museum full of money. The second part is about how we were “outed” as being in a nonmonogamous relationship, and how it went really well. Click either link to jump to that section, or just start reading to get the whole thing.
Another Day Of Edinburgh
Our sixth day at Edinburgh was perhaps the booziest. Realising that we still had a significant amount of wine that we bought earlier in the week that we hadn’t yet consumed, we started early: Ruth and I poured our first glasses at a hair before 11am, to go with our breakfast.
Our first show of the day was Sam Brady and the Eight Worldly Winds, a beautiful and subtle piece of observational comedy based on the life of the comedian, a “failed Buddhist monk”, thrice married, interspersed with “mildly adapted” readings of 11th century Chinese poetry. It was sedate and relaxing, as comedy shows go, but still funny and enjoyable, and I could have happily have listened to him for longer.
We had a little while before the next item on our schedule, and we opted to divert from our original plan to waste half an hour in a bar to instead explore the Mus£um On The Mound. This museum chronicles the history of money and banking, with a special focus on Scotland, and it’s remarkably interesting. We learned about early banking computers, quality assurance processes in banknote printing, and the evolution of the Building Society. If you think that all sounds terribly dull, then screw you.
JTA tried his hand at striking faces onto metal disks to make his own coins in the way that coinsmiths used to before about the 16th century, and I used a remarkably modern-looking computer to issue myself a remarkably old-style life insurance certificate (covering me for everything except death by duelling, suicide, or execution by the state).
Next, we made our way back to the Whiski Rooms for our second whisky tasting session of the week (our first was on day two). This time around we were drinking Jura (10 year old and 16 year old, and Superstition – one of my favourites) and Dalmore (12, 15, and 18 year old). We learned a lot about the different production processes for each, caskings and recaskings and still shapes and all kinds of things. We also tried the Dalmore 15 with some orange chocolate that complemented one another very well, and tried our hand at identifying different refined flavours by smell, from a set of numbered vials.
Next up, we watched The German Comedian (exactly what it says on the tin!), followed by You Are
Being Lied To, by David Mulholland. The former provided a hilariously funny (and somewhat racist, although only in a very tongue-in-cheek and mostly in a self-deprecating way)
commentary on European relations, world travel, and cultural differences in a brilliant and compelling way. The latter – by a comic who was formerly a journalist for the Wall Street
Journal – ran a show with a far more serious message, about how media like The Daily Mail, The Sun, and The Telegraph (in particular) spin stories in a way that the kernel of truth in
them is just about impossible to find. It was amusing enough, especially to hear him read, in a serious voice, genuine headlines and snippets of stories from those publications, and let
us spot the bullshit.
Polyamory Comes To The Fringe
The other thing that was remarkable about these two comedians is that they both independently asked about Ruth, JTA and I’s relationship structure. And what’s most remarkable about this is that it took so long before it happened. We’ve been here six days, at dozens of different comedy shows, and virtually always sat at the front. But today was the first day that the topic came up, and it came up twice in a row. What are the odds?
The first comedian had asked if Ruth and JTA were a couple, and, upon getting an affirmative (which would usually be as far as the conversation would go: we’re not in the business of hijacking comedy shows with our relationships, I’d hasten to add), he asked “What’s the relationship between you two?”, gesturing to Ruth and I. So we answered. He asked for clarification a number of times, looking quite stumped and lost for words the whole period, but he was fluffy about it in general, which was nice.
The second really did just walk into it when he asked Ruth “So which of these two men are you with? Or is it both?” “Yes, both,” she replied, and, in the period of silence while the comedian was still trying to comprehend what she’d said, added, “We’re polyamorous.”
I was so very proud of her in that moment.
For me, adopting the out and proud approach of the gay community is an important part of “poly activism”: it almost feels like it’s my duty to make sure that people can see that we’re just another group of people in just another relationship, completely normal except for the fact that there are three of us instead of two. Talking openly and frankly about this stuff is the only way to normalise it and break the taboo, so I feel like my mini-activism helps all people in nonmonogamous relationships, even if just a little bit.
Ruth, however, is more-reserved, and less-inclined to put herself in the public spotlight by putting the fact that she’s got a “bonus” partner “out there”. So to see her take the lead in saying, effectively, “Yes; I have two partners. Here they are. Yes, really. Is that okay?” – especially when she was sat sandwiched between a room full of strangers and a comedian (a very precarious place, as anybody who’s been picked on by a comic knows) – made my heart swell.
Later, a man called Daniel asked me some reasonably well-thought-out questions about “how it works”, and Ruth and JTA were approached by a woman who mentioned a similar arrangement in her own life. People in the same position are often delighted to “come out”, but only if somebody else does so first.
Had it been me that each comedian had spoken to first, instead of Ruth, I’d have certainly been as bold. But I might not have simultaneously been so frank and straightforward, so clearly-honest and approachable as Ruth managed in this, one of the most brave acts of poly-advocacy I’ve ever seen.
Nice work, Ruth.
