Window Tax

…in England and Wales

From 1696 until 1851 a “window tax” was imposed in England and Wales1. Sort-of a precursor to property taxes like council tax today, it used an estimate of the value of a property as an indicator of the wealth of its occupants: counting the number of windows provided the mechanism for assessment.

Graph showing the burden of window tax in 1696 and 1794. In the former year a flat rate of 1 shiling was charged, doubling for a property when it reached 10 and 20 windows respectively. In the latter year charging began at 10 windows and the price per-window jumped up at 15 at 20 windows. Both approaches result in a "stepped" increase.
The hardest thing about retrospectively graphing the cost of window tax is thinking in “old money”2.
Window tax replaced an earlier hearth tax, following the ascension to the English throne of Mary II and William III of Orange. Hearth tax had come from a similar philosophy: that you can approximate the wealth of a household by some aspect of their home, in this case the number of stoves and fireplaces they had.

(A particular problem with window tax as enacted is that its “stepping”, which was designed to weigh particularly heavily on the rich with their large houses, was that it similarly weighed heavily on large multi-tenant buildings, whose landlord would pass on those disproportionate costs to their tenants!)

1703 woodcut showing King William III and Queen Mary II.
It’d be temping to blame William and Mary for the window tax, but the reality is more-complex and reflects late renaissance British attitudes to the limits of state authority.

Why a window tax? There’s two ways to answer that:

  • A window tax – and a hearth tax, for that matter – can be assessed without the necessity of the taxpayer to disclose their income. Income tax, nowadays the most-significant form of taxation in the UK, was long considered to be too much of an invasion upon personal privacy3.
  • But compared to a hearth tax, it can be validated from outside the property. Counting people in a property in an era before solid recordkeeping is hard. Counting hearths is easier… so long as you can get inside the property. Counting windows is easier still and can be done completely from the outside!
Dan points to a bricked-up first storey window on a stone building used by a funeral services company.
If you’re in Britain, finding older buildings with windows bricked-up to save on tax is pretty easy. I took a break from writing this post, walked for three minutes, and found one.4

…in the Netherlands

I recently got back from a trip to Amsterdam to meet my new work team and get to know them better.

Dan, by a game of table football, throws his arms into the air as if in self-celebration.
There were a few work-related/adjacent activities. But also a table football tournament, among other bits of fun.

One of the things I learned while on this trip was that the Netherlands, too, had a window tax for a time. But there’s an interesting difference.

The Dutch window tax was introduced during the French occupation, under Napoleon, in 1810 – already much later than its equivalent in England – and continued even after he was ousted and well into the late 19th century. And that leads to a really interesting social side-effect.

Dan, with four other men, sit in the back of a covered boat on a canal.
My brief interest in 19th century Dutch tax policy was piqued during my team’s boat tour.

Glass manufacturing technique evolved rapidly during the 19th century. At the start of the century, when England’s window tax law was in full swing, glass panes were typically made using the crown glass process: a bauble of glass would be spun until centrifugal force stretched it out into a wide disk, getting thinner towards its edge.

The very edge pieces of crown glass were cut into triangles for use in leaded glass, with any useless offcuts recycled; the next-innermost pieces were the thinnest and clearest, and fetched the highest price for use as windows. By the time you reached the centre you had a thick, often-swirly piece of glass that couldn’t be sold for a high price: you still sometimes find this kind among the leaded glass in particularly old pub windows5.

Multi-pane window with distinctive crown glass "circles".
They’re getting rarer, but I’ve lived in houses with small original panes of crown glass like these!

As the 19th century wore on, cylinder glass became the norm. This is produced by making an iron cylinder as a mould, blowing glass into it, and then carefully un-rolling the cylinder while the glass is still viscous to form a reasonably-even and flat sheet. Compared to spun glass, this approach makes it possible to make larger window panes. Also: it scales more-easily to industrialisation, reducing the cost of glass.

The Dutch window tax survived into the era of large plate glass, and this lead to an interesting phenomenon: rather than have lots of windows, which would be expensive, late-19th century buildings were constructed with windows that were as large as possible to maximise the ratio of the amount of light they let in to the amount of tax for which they were liable6.

Hotel des Pays-Bas, Nieuwe Doelenstraat 11 (1910 photo), showing large windows.
Look at the size of those windows! If you’re limited in how many you can have, but you’ve got the technology, you’re going to make them as large as you possibly can!

That’s an architectural trend you can still see in Amsterdam (and elsewhere in Holland) today. Even where buildings are renovated or newly-constructed, they tend – or are required by preservation orders – to mirror the buildings they neighbour, which influences architectural decisions.

Pre-WWI Neighbourhood gathering in Amsterdam, with enormous windows (especially on the ground floor) visible.
Notice how each building has only between one and three windows on the ground floor, letting as much light in while minimising the tax burden.

It’s really interesting to see the different architectural choices produced in two different cities as a side-effect of fundamentally the same economic choice, resulting from slightly different starting conditions in each (a half-century gap and a land shortage in one). While Britain got fewer windows, the Netherlands got bigger windows, and you can still see the effects today.

…and social status

But there’s another interesting this about this relatively-recent window tax, and that’s about how people broadcast their social status.

Modern photo, taken from the canal, showing a tall white building in Amsterdam with large windows on the ground floor and also basement level, and an ornamental window above the front door. Photo from Google Street View.
This Google Street Canal (?) View photo shows a house on Keizersgracht, one of the richest parts of Amsterdam. Note the superfluous decorative window above the front door and the basement-level windows for the servants’ quarters.

In some of the traditionally-wealthiest parts of Amsterdam, you’ll find houses with more windows than you’d expect. In the photo above, notice:

  • How the window density of the central white building is about twice that of the similar-width building on the left,
  • That a mostly-decorative window has been installed above the front door, adorned with a decorative leaded glass pattern, and
  • At the bottom of the building, below the front door (up the stairs), that a full set of windows has been provided even for the below-ground servants quarters!

When it was first constructed, this building may have been considered especially ostentatious. Its original owners deliberately requested that it be built in a way that would attract a higher tax bill than would generally have been considered necessary in the city, at the time. The house stood out as a status symbol, like shiny jewellery, fashionable clothes, or a classy car might today.

Cheerful white elderly man listening to music through headphones that are clearly too large for him.
I originally wanted to insert a picture here that represented how one might show status through fashion today. But then I remembered I don’t know anything about fashion7. But somehow my stock image search suggested this photo, and I love it so much I’m using it anyway. You’re welcome.
How did we go wrong? A century and a bit ago the super-wealthy used to demonstrate their status by showing off how much tax they can pay. Nowadays, they generally seem more-preoccupied with getting away with paying as little as possible, or none8.

Can we bring back 19th-century Dutch social status telegraphing, please?9

Footnotes

1 Following the Treaty of Union the window tax was also applied in Scotland, but Scotland’s a whole other legal beast that I’m going to quietly ignore for now because it doesn’t really have any bearing on this story.

2 The second-hardest thing about retrospectively graphing the cost of window tax is finding a reliable source for the rates. I used an archived copy of a guru site about Wolverhampton history.

3 Even relatively-recently, the argument that income tax might be repealed as incompatible with British values shows up in political debate. Towards the end of the 19th century, Prime Ministers Disraeli and Gladstone could be relied upon to agree with one another on almost nothing, but both men spoke at length about their desire to abolish income tax, even setting out plans to phase it out… before having to cancel those plans when some financial emergency showed up. Turns out it’s hard to get rid of.

4 There are, of course, other potential reasons for bricked-up windows – even aesthetic ones – but a bit of a giveaway is if the bricking-up reduces the number of original windows to 6, 9, 14 or 19, which are thesholds at which the savings gained by bricking-up are the greatest.

5 You’ve probably heard about how glass remains partially-liquid forever and how this explains why old windows are often thicker at the bottom. You’ve probably also already had it explained to you that this is complete bullshit. I only mention it here to preempt any discussion in the comments.

6 This is even more-pronounced in cities like Amsterdam where a width/frontage tax forced buildings to be as tall and narrow and as close to their neighbours as possible, further limiting opportunities for access to natural light.

7 Yet I’m willing to learn a surprising amount about Dutch tax law of the 19th century. Go figure.

8 Obligatory Pet Shop Boys video link. Can that be a thing please?

9 But definitely not 17th-century Dutch social status telegraphing, please. That shit was bonkers.

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What can board game strategy tell us about the future of the car wash?

I’m increasingly convinced that Friedemann Friese‘s 2009 board game Power Grid: Factory Manager (BoardGameGeek) presents gamers with a highly-digestible model of the energy economy in a capitalist society. In Factory Manager, players aim to financially-optimise a factory over time, growing production and delivery capacity through upgrades in workflow, space, energy, and staff efficiency. An essential driving factor in the game is that energy costs will rise sharply throughout. Although it’s not always clear in advance when or by how much, this increase in the cost of energy is always at the forefront of the savvy player’s mind as it’s one of the biggest factors that will ultimately impact their profit.

Power grid's energy cost tracker
8 $money per $unit of electricity I use? That’s a rip off! Or a great deal! I don’t know!

Given that players aim to optimise for turnover towards the end of the game (and as a secondary goal, for the tie-breaker: at a specific point five rounds after the game begins) and not for business sustainability, the game perhaps-accidentally reasonably-well represents the idea of “flipping” a business for a profit. Like many business-themed games, it favours capitalism… which makes sense – money is an obvious and quantifiable way to keep score in a board game! – but it still bears repeating.

There’s one further mechanic in Factory Manager that needs to be understood: a player’s ability to control the order in which they take their turn and their capacity to participate in the equipment auctions that take place at the start of each round is determined by their manpower-efficiency in the previous round. That is: a player who operates a highly-automated factory running on a skeleton staff benefits from being in the strongest position for determining turn order and auctions in their next turn.

Empty Factory Manager staff room
My staff room is empty. How about yours?

The combination of these rules leads to an interesting twist: in the final turn – when energy costs are at their highest and there’s no benefit to holding-back staff to monopolise the auction phase in the nonexistent subsequent turn – it often makes most sense strategically to play what I call the “sweatshop strategy”. The player switches off the automated production lines to save on the electricity bill, drags in all the seasonal workers they can muster, dusts off the old manpower-inefficient machines mouldering in the basement, and gets their army of workers cranking out widgets!

With indefinitely-increasing energy prices and functionally-flat staff costs, the rules of the game would always eventually reach the point at which it is most cost-effective to switch to slave cheap labour rather than robots. but Factory Manager‘s fixed-duration means that this point often comes for all players in many games at the same predictable point: a tipping point at which the free market backslides from automation to human labour to keep itself alive.

There are parallels in the real world. Earlier this month, Tim Watkins wrote:

Abandoned automatic car wash

The demise of the automated car wash may seem trivial next to these former triumphs of homo technologicus but it sits on the same continuum. It is just one of a gathering list of technologies that we used to be able to use, but can no longer express (through market or state spending) a purpose for. More worrying, however, is the direction in which we are willingly going in our collective decision to move from complexity to simplicity. The demise of the automated car wash has not followed a return to the practice of people washing their own cars (or paying the neighbours’ kid to do it). Instead we have more or less happily accepted serfdom (the use of debt and blackmail to force people to work) and slavery (the use of physical harm) as a reasonable means of keeping the cost of cleaning cars to a minimum (similar practices are also keeping the cost of food down in the UK). This, too, is precisely what is expected when the surplus energy available to us declines.

I love Factory Manager, but after reading Watkins’ article, it’ll probably feel a little different to play it, now. It’s like that moment when, while reading the rules, I first poured out the pieces of Puerto Rico. Looking through them, I thought for a moment about what the “colonist” pieces – little brown wooden circles brought to players’ plantations on ships in a volume commensurate with the commercial demand for manpower – represented. And that realisation adds an extra message to the game.

Beneath its (fabulous) gameplay, Factory Manager carries a deeper meaning encouraging the possibility of a discussion about capitalism, environmentalism, energy, and sustainability. And as our society falters in its ability to fulfil the techno-utopian dream, that’s perhaps a discussion we need to be having.

Sorry to Bother You
Seriously, this film is awesome.

But for now, go watch Sorry to Bother You, where you’ll find further parallels… and at least you’ll get to laugh as you do so.

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seriously, the guy has a point

This article is a repost promoting content originally published elsewhere. See more things Dan's reposted.

I got metaphorically spanked a couple of days ago. Folks have been talking about the Fearless Girl statue ever since it was dropped in Manhattan’s Financial District some five weeks ago. I have occasionally added a comment or two to some of the online discussions about the statue.

"Fearless girl" statue